Essay for Orchestra


Original orchestral work read at the Juilliard School. Beginning with a piano reduction, I sketched out a progression of chords that would serve as the work’s general framework, and assigned them amongst the strings. The progression uses largely stepwise motion and resolution providing a near melodic, yet modern, tonality. The work is divided into sections by passing the melody between groups of instruments, providing variations in dramatic depth and timbral color.


"A Revolution of the End"

for Flute, Violin and Piano


This trio is part of a soundtrack I created for the game, "Rosenstrasse" (game design by Moyra Turkington and Jessica Hammer, visual design by Xin Tu). 

Using an irregular harmonic language—built of chords derived from infrequently repeating intervals—I created the structure to take advantage of the flute and violin’s shared melodic range, combining and crossing them to interesting effect.  

Recording features friends and colleagues, Anne Dearth (flute), Chad Cannon (violin) and Mitsuyo Kurihara (piano).



for Solo Piano


Industrial, deliberate, combative, sweet, indifferent, angular, this work for solo piano developed out of a simple love for the sound of the lowest D played on the piano.